Eleni Zolia, NeckBone I, neckpiece, mixed media, 2012,
photo/photo-manipulation: Eleni
My work is “to make bones”, not real bones, but artificial bones,
external additions and extensions to the actual ones.
When looking at bones of different creatures individually, they are a
kind of natural sculptures. However, they have a very specific structural
purpose. What happens if we take that purpose away and we consider them only as
art objects with the potential of further development?
The actual shapes of human or animal bones are my inspiration. I reform
them, I make them fluid, futuristic and even strange. I create
three-dimensional shapes that are pure white, as a synthetic bone would be. Resulting
in light weight final objects, though they are big in size, they can easily be
carried on the body and become a part of it.
Even if I describe myself more as a sculptor than as a jewellery maker,
my pieces are jewellery in their own way. My sculptures are to do with the
body. They are inspired by it, placed on it and are combined with it. They
stand on the body by their shape in a clear relation with the bones underneath
the skin. They are +BONES!
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